For decades, the audiovisual nature of the film medium has limited film scholarship to the strict consideration of sound and sight as the senses at play. Aware of the limitations of this sense-to-sense correspondence, Laura U. Marks has been the first to consistently give expression to a new and emergent line of enquiry that seeks to understand the multisensory nature of film.Adding to the emergent awareness of the cinema of the senses, neuroscience, specifically multisensory studies, has identified autonomous sensory systems (...) beyond the classic five senses: the vestibular (orientation and balance), proprioception (posture and body position), pain, and temperature perception. This essay investigates the principles of the multisensory film experience when applied to our sense of orientation and balance in film – the vestibular in film. Here I seek to outline the neural and physiological evidence supporting the idea that we can have access to the multisensory exclusively through sound and image, based on the nature of our perception and cognition.I then apply this frame of reference to a new understanding of Gus Van Sant’s cinema of walking composed by the so-called death trilogy of Gerry (2002), Elephant (2003) and Last Days (2005) plus Paranoid Park (2007). With this analysis I show how the vestibular sense can be a powerful aesthetic and cinematic mode of filmmaking, as well revealing of the sensuous nature of film. (shrink)

Our abstract begins with the question: what means the sentence - the life is a capital? Michel Foucault makes the question when he signalizes that the bio-power is connected to the capitalism. In this case, the question is to understand how the increase and the confiscate of wealth suppose the power’s development that captures the life strength to make them participe to the wealth creation process. What other fundamental question could be emphasized? The contemporaneous capitalism is strictly connected to method (...) of subjetictivity production. In Nascimento da biopolítica Foucault shows how the capitalism appeals to the people to construct their lives like enterprises. It refers to homo oeconomicus like a suject that considers himself as a valuable capital. We realize the human capital is managed like lives markets, through the neoliberal biogovernamentality, regulating the sujects conducts by a place of truth, the market . We propose the constitution of a new subjectivity: the homo dispensatio. Tracing the relation between the life management as a capital and the constitution of this subjectivity, we could signalize what this situation can provide from the ethical and political viewpoint. (shrink)

Neste artigo, desenvolveremos algumas considerações gerais, referentes a noção de biopolítica e biopoder de Michel Foucault relacionadas com a teoria da Necropolítica, enquanto política de morte e o exercício do necropoder, proposta pelo pensador camaronês Achille Mbembe e como essa se relaciona ao fenômeno de pandemia da Covid-19. Pretendemos assim problematizar, à luz dos aportes teóricos tanto da reflexão perpetrada por Michel Foucault, a partir do conceito de Biopolítica, quanto da noção de Necropolítica proposta por Mbembe, as questões políticas e (...) éticas presentes no contexto da eclosão desta pandemia, objetivando criticar e analisar nossa atualidade política dominada por uma racionalidade neoliberal hegemônica e intensamente destrutiva, presente na forma da gestão das condições de saúde e da vida da população por parte dos Estados. (shrink)

Research suggested that developing mindfulness skills in children improves proximal outcomes, such as attention and executive functions, as well as distal outcomes, such as academic achievement. Despite empirical evidence supporting this claim, research on the benefits of mindfulness training in child populations is scarce, with some mixed findings in the field. Here, we aimed to fill in this gap, by examining the effects of a mindfulness training on third graders’ proximal and distal outcomes, namely, attention and executive functions (viz., inhibitory (...) control, working memory, and cognitive flexibility) as well as literacy-related achievement (viz., handwriting fluency, text quality, Portuguese grades). These outcomes were measured with behavioral tasks and teacher ratings. Sixty-six Portuguese children were randomly allocated to an experimental group receiving mindfulness training (n= 29) or an active control group receiving relaxation training (n= 37). Both training programs were implemented by psychologists in two 30-min weekly sessions for 8 weeks. All students were assessed before and after the interventions. Three main findings are noteworthy: (a) mindfulness training enhanced teacher-rated cognitive flexibility and a performance-based composite score of executive functions among children with higher pretest scores; (b) relaxation training improved performance-based cognitive flexibility and the composite score of executive functions among children with lower pretest scores; (c) children receiving mindfulness training had higher handwriting fluency and better grades in Portuguese than those receiving relaxation training. These findings provide preliminary evidence on the benefits of mindfulness training in educational settings and highlight the moderating role of baseline performance on those benefits. (shrink)

Instituciones políticas como la Comisión Europea y el Gobierno de España han manifestadosu interés y predisposición para sentar las bases de una gobernanza ética de la Inteligencia Artificial (IA). En particular, han planteado el impulso de una Inteligencia Artificial confiable a través de unconjunto de directrices y estrategias. A pesar del beneficio que reportan estas iniciativas políticas, no es posible apreciar en su conjunto una estrategia educativa específica que contribuya a la generación de un ecosistema ético de IA fundamentado en (...) la confianza. En ese sentido, el objetivo principal de este trabajo consiste en explicar que la enseñanza de la ética aplicada en los estudios de ingeniería constituye una apuesta para el fortalecimiento profesional, la gobernanza ética yuna investigación e innovación responsables. Para alcanzar este objetivo, en primer lugar, serándetallados algunos de los aspectos esenciales que dotan de un valor significativo a la enseñanza de la ética aplicada, subrayando la responsabilidad social que presentan las universidades en este terreno. En segundo lugar, se mostrará una clasificación de las asignaturas de ética relacionadas con la ingeniería en el entorno de las universidades públicas españolas. Y, en tercer lugar, se ofrecerá un marco teórico enraizado en la ética discursiva, promoviendo una mirada cívica en el contexto educativo de las profesiones. (shrink)

Several countries maintain universal health coverage, which implies responsibility to organize delivery formats of healthcare services and products for citizens. In Brazil, the health system has a principle of universal access for more than 30 years, but many deficiencies remain and the country observes a day practice for those seeking judicial decisions to determine provision of healthcare.

Nietzsche é considerado figura de vital importância na crítica a certa “inflação do sentido” verificada no pensamento ocidental, tanto no que diz respeito à tradição filosófica quanto no que concerne ao Cristianismo. Esse caráter tirânico do sentido fortaleceu sua crítica que, em geral, conclui que todo sentido deriva do fenômeno, que é a representação subjetiva e interpretativa do mundo. Mesmo que não tenha sido a intenção de Nietzsche, suas reflexões ensejaram novos parâmetros para a compreensão da religião em bases não (...) metafísicas. Por outro lado, temos o escritor Jorge Luis Borges, que parece aquiescer à crítica nietzschiana da assimetria entre mundo e linguagem. O escritor argentino relativiza a relação direta entre linguagem e mundo, o que coloca os limites da metáfora em um lugar de importância significativa. Além de uma aproximação criativa entre o filósofo alemão e o escritor argentino, destacamos a percepção borgeana da realocação de conteúdos metafísicos envelhecidos para o universo ficcional e criativo da literatura fantástica. Nesse sentido, a partir das teorias da linguagem, devedoras que são dessa tradição que remonta a Nietzsche, o presente artigo propõe uma compreensão da religião a partir do conto A Escrita do Deus, de Borges. (shrink)

Resenha de: SOARES, Emanoel Luís Roque. As vinte e uma faces de Exu na filosofia afrodescendente da educação. Cruz das Almas/Belo Horizonte: EdUFRB/Fino Traço, 2016.

In our paper we aim to meditate on the concept of depth (profondeur) in the works of M. Merleau-Ponty, as it is a key notion to understand the French philosopher’s concept of space. Furthermore we will try to show that space plays a fundamental role in the development of Merleau-Ponty’s philosophy, allowing us to understand important features both of his phenomenological readings and ontological project.

As we turn to the lived experience of memory, we are confronted with an eerie and enigmatic possibility: the possibility to remember what we ourselves never lived. How to explain phenomenologically this enigmatic but fundamental level of spatialized memory? I would like to come back to these issues in order to face yet another fundamental question: Does a phenomenology of spatialized memory require any onto-phenomenological concretizations?

Este artigo apresenta uma revisão de literatura a respeito de dois temas vivenciados por muitas mulheres, a maternidade e a carreira. Reflete-se o que a entrada e consolidação da mulher no mercado do trabalho trouxe de implicações à maternidade. Aprofunda-se o tema com discussão de pesquisas que abo..

RESUMEN: El uso de analogías en bioética es muy frecuente. Dado que son instrumentos especialmente eficaces desde un punto de vista retórico, resulta fundamental determinar bajo qué condiciones la formulación de analogías constituye un recurso discursivo legítimo. En este artículo, distinguimos entre usos no-discursivos y usos discursivos de las analogías, y dentro de estos últimos, entre usos explicativos y usos argumentativos. En base a esta clasificación, proponemos distintos conjuntos de criterios para determinar si una analogía particular constituye un recurso discursivo (...) legítimo o no. Para ello, ilustramos brevemente nuestra clasificación mediante algunos ejemplos tomados del reciente debate sobre los biobancos.ABSTRACT: Analogies are frequently used in bioethics. As they are particularly effective as rhetorical tools, it is essential to determine under which conditions they can be said to be a legitimate discursive resource. In this paper we distinguish between nondiscursive uses and discursive uses of analogies and, within the latter, between explanatory uses and argumentative uses. Taking this classification as a basis, we provide different sets of criteria for determining whether or not a particular analogy constitutes a legitimate discursive resource. In distinguishing between legitimate and illegitimate analogies, we briefly illustrate our classification by some examples from recent literature on biobanks. (shrink)

The representational nature of human cognition and thought in general has been a source of controversies. This is particularly so in the context of studies of unconscious cognition, in which representations tend to be ontologically and structurally segregated with regard to their conscious status. However, it appears evolutionarily and developmentally unwarranted to posit such segregations, as,otherwise, artifact structures and ontologies must be concocted to explain them from the viewpoint of the human cognitive architecture. Here, from a by-and-large Classical cognitivist viewpoint, (...) I show why this segregation is wrong, and elaborate on the need to postulate an ontological and structural continuity between unconscious and conscious representations. Specifically, I hypothesize that this continuity is to be found in the symbolic-based interplay between the syntax and the semantics of thought, and I propose a model of human information processing characterized by the integration of syntactic and semantic representations. (shrink)

The traditional model of human cognition (TMHC) postulates an ontological and/or structural gap between conscious and unconscious mental representations. By and large, it sees higher-level mental processes as commonly conceptual or symbolic in nature and therefore conscious, whereas unconscious, lower-level representations are conceived as non-conceptual or sub-symbolic. However, experimental evidence belies this model, suggesting that higher-level mental processes can be, and often are, carried out in a wholly unconscious way and/or without conceptual representations, and that these can be processed unconsciously. (...) This entails that the TMHC, as well as the theories on mental representation it motivates and that in turn support it, is wrong. (shrink)

A proposta desse artigo é analisar as diferentes apropriações e entendimentos das Trovas de Bandarra no século XVII, a partir das tópicas do "sonhar" e "ver", que estruturam o poema profético. Identificando algumas estrofes recorrentes nos comentários seiscentistas, pretende-se discutir as polêmicas surgidas em torno dos "Sonhos" do sapateiro de Trancoso e como estas permitem identificar posições frente ao problema do sonho profético e de seu uso nas leituras do destino e futuro português. A estrutura do texto é dada pelo (...) passo das polêmicas em torno dos comentários às passagens selecionadas, com especial destaque para a figura do jesuíta Antonio Vieira e as disputas envolvendo seus textos na segunda metade do século XVII. (shrink)

El artículo se ocupa de las circunstancias peculiares que identifican el arte colombiano después del arte moderno. Para esto resulta de gran importancia la discusión alrededor del problema del "fin del arte" y su relación con la modernidad, pues es necesario hacer una reflexión filosófica a propósito de la idea del fin del arte para comprender los lineamientos del arte moderno, cuyas concepciones del arte, del artista, del contenido y de la forma, son una de las consecuencias históricas de los (...) planteamientos hegelianos delineados en sus Lecciones de Estética. Así se sitúa la pregunta por las características que identifican el arte colombiano después de la modernidad dentro de una realidad históricamente configurada, cuyos rasgos internos son consecuencia de la discusión generada alrededor de los planteamientos sobre elfin del arte. (shrink)

En primer término, el autor expone el proceso mediante el cual los conceptos "imagen" y "representación" han perdido su sentido originario en la historia de Occidente; a partir de allí se ha creado una situación de crisis, denominada por el autor "crisis de la representación". Ésta se caracteriza por los siguientes aspectos: 1) el cambio del estatuto óptico de la imagen; 2) la pérdida de todo paradigma visual, con lo cual la imagen ha dejado de servir como intermediaria de sentido; (...) 3) consecuencia de la anterior afirmación, las funciones metafórica y simbólica de la imagen han quedado inoperantes; 4) finalmente, se ha dado lugar a una saturación de imágenes. A partir de este diagnóstico, el autor sostiene que vivimos actualmente en una "culturafractal" u "orden de representación despótica", cuyos fenómenos afines son la estetización de los mundos de vida, la caída de la razón y de la historia. En segundo término, el autor analiza algunas obras del arte colombiano de los años noventa, en las cuales intenta mostrar el eco de la "crisis de la representación". (shrink)

This paper aims to reflect on the possibilities of approaching the phenomenon of memory in relation to space. In order to approach memory on “the side ofspace”, we will find our first decisive guidelines in M. Merleau-Ponty’s analysis of habit developed in Phenomenology of Perception. Starting from there, we will then try to show in what way memory, in a way, can be said to belong to places. The final point of the discussion is Ricœur’s investigation of architecture and urbanism’s (...) analogies with narrative, as they allow us to consider a hermeneutic approach to the spatial fabric of time. (shrink)

We point out the need to clarify some of the ideas related to the connection between development and sustainability in the Report of the Open Working Group of the General Assembly on Sustainable Development. In particular, the meaning of ‘sustainable’ is not clear when applied to specific areas of human activity. A more detailed explanation of the kind of equality sought for in the proposal is also needed. Because of potential conflicts between goals, we miss some considerations on the impact (...) of population increase both on development and on sustainability. A distinction is made here between two kinds of goals included in the Report. Some of the proposed 17 goals can then be seen as ends in themselves, whereas others seem to be means for the first set. The two sets thereby established should be seen in theory and dealt with in practice in a differentiated manner. (shrink)

Tendo em atenção o carácter específico do Estado Novo e a sua tentativa de afastamento teórico e ideológico dos Estados totalitários, nomeadamente do nazismo, poder-se-ia pensar que durante a vigência do sistema de Hitler (1933-1945) não seria importante a presença da cultura alemã, de tipo nazi ou próxima dele, em Portugal. Todavia, a pouco e pouco, à medida que vão sendo feitos estudos em várias áreas, vai-se verificando essa presença. Este é mais um estudo dessa “ligação perigosa”, no domínio da (...) literatura e da cultura em geral. (shrink)

We prove that a combinatorial consequence of the negation of the PCF conjecture for intervals, involving free subsets relative to set mappings, is not implied by even the strongest known large cardinal axiom.

¿Qué es la experiencia? ¿Cómo se constituye? Una aproximación común a estas preguntas supone que el entendimiento es un epifenómeno que emerge de la percepción sensorial. Luis Miguel Isava retoma estas interrogantes y desarrolla una propuesta muy distinta: la experiencia no se produce a partir del percibir, entendido como acto originario y no mediado, sino que tiene lugar a partir de ciertas condiciones de posibilidad de tipo formal. Para Isava este requisito funciona efectivamente como un protocolo: se trata de (...) un sistema de criterios formales que efectivamente organizan y le otorgan sentido a lo percibido y así lo «sancionan» como experiencia. Los protocolos que hacen posible la experiencia están arraigados tan profundamente en la cultura que pueden resultarnos invisibles y «naturales», pero en realidad son cambiantes. Distintas culturas, en distintos momentos históricos, fundan cada una sus experiencias en base a protocolos diferentes. Esto puede resultar evidente al momento de considerar los procesos de encuentro entre culturas disímiles que han ocurrido a lo largo de la historia. Sin embargo, Isava se enfoca en un problema menos obvio y más sugerente: ¿qué ocurre cuando en el seno de una misma cultura aparecen objetos que, bajo los protocolos vigentes, no pueden ser asimilables como experiencia? Esta posibilidad, nos muestra Isava, podemos hallarla en el arte, o más exactamente, en lo que él denomina los "artefactos culturales" de la modernidad. A partir de ejemplos concretos tomados de la poesía, la pintura, el cine y la música, Isava muestra cómo el arte puede suscitar momentos extraños, reflexivos o críticos que, al enfrentarse con los protocolos de la experiencia ya establecidos, pueden suscitar nuevas formas de estar en el mundo. (shrink)

Las edificaciones con valor patrimonial son un testimonio excepcional del progreso de una comunidad y representan ejemplos innegables de la transferencia de conocimientos a lo largo de las generaciones. Es inevitable caminar por centro consolidado de Pasaje y no reconocer el legado cultural de muchas edificaciones. Sin embargo, también resulta fácil observar las alteraciones erróneas que sea han realizado a estas edificaciones con el objetivo de responder a las “nuevas exigencias” de la actualidad. La conservación de los bienes patrimoniales resulta (...) necesaria para la preservación de la integridad e identidad de la ciudad. La presente investigación posibilita entender el nivel de susceptibilidad que presentan las edificaciones consideradas como bienes patrimoniales, debido a que estás viviendas poseen un valor cultural. El objetivo de la investigación es el de identificar la susceptibilidad sísmica a las que están expuestas, para esto se utilizaron métodos de matrices de evaluación sísmica para medir el nivel de susceptibilidad en las edificaciones patrimoniales. (shrink)